Award Winners
Lucille Medwick Memorial Award - 2004
Wayne Miller
DEAR SAPPHO
In the vast history between us
so much has happened—the bones
of the dead kept turning
into hammers. And now I lift
myself into each day
as if into my body, go to work,
and then at night, my lit room
slips down into the glass.
The factories blow their smoke
up through the snow, the city
lifts our lights a little closer
to the sky. Long after you died,
Jim Dine narrowed his world
to a big fat heart—like a bomb
in a corner of a museum.
So much is in motion out there
beneath the page of dust
paling the television's screen!
Somewhere, folks are digging
a well, while elsewhere
the lit needles of gunshots
and fireflies—. I can assure you
that our lives keep fracturing
into notes, I can promise you
that a white fence without light
is like a sail without wind.
Please believe me: we haven't
forgotten you—we walk
on our syllables (these shadows
of footsteps), we land
deep in beauty at the expense
of ourselves. Like color,
the stars keep arriving
into their presence—arriving
from so long before you. Still,
we have nothing to give you.
Our world slips through you
like sand through the bones
of your fingers—sand
you lay dreaming on as a girl,
sand that today we melt
to fill windows.
Terrance Hayes on Wayne Miller
This poet has given new dimension to what Sappho represents, what she means to the world we inhabit. The poet honors Sappho's style while simultaneously recasting it— explaining "our lives keep fracturing into notes"—in modern-day images of factories, televisions, and gunshots. The ladder of couplets, the sundry syntax and punctuation, the rich, visual juxtapositions—every facet of this wise and tender poem speaks to the present mirroring the past, the past mirroring the present.