Award Winners
Student Poetry Award
Ayanna Uppal
Finalists
Quinn De Vecchi
Andi Erickson
Ela Kini

How to Define Distance
I.
How to define distance: a straight line or
Night collapsed into a wide, hungry mouth.
Tongue thick like stories of smoke sawed off
A gun. Three months passed before you were
Named after the bending of light—still, I dreamt
My mother named me after the cavity of a mango tree,
After the slick sound I made when alone. I hungered
Through an eye of silt. My father’s first wife walked through
Walls, an elegy. She was the first daughter to
Be found departed. Outside, I unbent light.
II.
Anthropology came to me disrobed, the pale fruit
Of her body stained my own. I was still unspoiled,
Afraid of everything. Birds, metaphors, beautiful things
Capable of curling into a blushed fist. No lack sharpened
My hunger like denial. Young, I accepted the open pulp
Of my body and what it would never enclose. I grew
Where rivers bled dry in the summer months, bore
Persimmons for my grandmother to pluck from
Each breastbone. I was fed on the fat of women who
Won all their aches from the Earth. Still, I learned nothing.
III.
My father named me after his love of science. My
Name was born of fruit that strangled a thrashing snake
To the ground. I promised I would only remember beautiful things.
I'll tell you: my name is beautiful like all the things
Carried across oceans, across the pools of shoulders, across
The thinning of my father’s back in the garden, which is my compass.
Now, my belly is simply another ship-wreck. This country you cored
In an apple-peeler. All the pity I have won in scratch-off tickets.
I once parted myself into equal sums, one for each ocean.
I was fable before you knew me: metaphor escaped my meaning.
IV.
My first mirror my mother, how she rose one night
And stole her likeness from steel. Unfortunate, how I
Soften instead. Construct a fiction diet made of
Fishbones, the scooped heart of homeland grain. The doctor’s office is
For myth-making. Ayanna, in Sanskrit, means beautiful star and
How often do I think of Light and its fattening? This body made
Of no still water. How the doctor does not think of my body,
Only the body beneath it. Look, this bouquet in the pillbox,
All the answers yet to be found in the sunk cost of a
Bottle. My thumbprint on plastic, a tart orange sun.
V.
All we carried when we came here: the salted
Smoke of sorrow in our mouths. How even our wombs
Flushed out this city’s stink. Father married Mother, who bled soft
Pits like peach stones. I kissed the Big Dipper and still,
Emptiness grew in me like a limb. Hunger only
Revised itself. The doctors named my hunger its own form of
Wanting. Each summer, our mouths licked into black holes,
And we unfolded ourselves into the soft silk of buttery wings.
This softness I shed like oil, when placed in a pan, only
Curdled. When I passed through water, I passed through nothing.
Selected by Megan Fernandes
Ayanna Uppal is a young poet studying at Germantown Friends School in Philadelphia. Her work is published and/or recognized by The Poetry Society of the UK, Foyle Young Poets, and The Adroit Journal.
FINALSTS

Quinn De Vecchi is a junior at Interlochen Arts Academy studying creative writing. They hail from Hallandale Beach, Florida, and now call themselves a Denverite. They have been published or are forthcoming in Grub Street, Chiron Review, Eunoia Review, Best American High School Writing, and others.

Andi Erickson is a senior at Interlochen Arts Academy. Attending boarding school in northern Michigan, they enjoy aesthetically shaped trees and being a creative writing major. Andi is out or forthcoming in The Interlochen Review, VIBE, and lysis. They are dipping their toes into hybrid work.

Ela Kini is a student based in New York. Her work appears in The Penn Review, The Margins, Rust & Moth, PRISM International, and elsewhere. She reads for Palette Poetry. She dreams.
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