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Conversations with poets, editors, and artists.

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To Keep It All from Vanishing: An Interview with Timothy Donnelly

As for form, I’ve always been interested in patterning of all kinds, probably for a lot of reasons. I can’t account for every one of them, but on a primal level, underneath them all, as far as poems go, I’ve always felt that poetry’s ancient emphasis on the physical properties of language, and the use of certain of these properties (such as quantity or syllable count or stress) as leading principles in its composition, is what most distinguishes poetry from other kinds of writing, and what makes it most palpable, most present.

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Publishing Into That Mystery: An Interview with Eileen Myles

A conversation with Eileen Myles, eminent poet, novelist, performer, art journalist, and artist, about their exhibition poems, on view at Bridget Donahue through January 13, 2019, concurrent with the publication of their new collection of poems Evolution (Grove Press, 2018).

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American Lit: An Interview with Jacob Minasian

In the case of this collection, it was very much about trying to process the complexities of our decisions as a society during and after the 2016 election. My first attempts at writing after the election felt obvious, overt, like I was yelling what everyone else was yelling in almost the exact same way. I knew I had to approach the situation with a more subtle, more effective tone.

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Unexpected Lines and Gradients: A Blue Dark, and interview with Fritz Horstman and Fiona Sze-Lorrain

This summer, the Gallery Upstairs at the Institute Library in New Haven, Connecticut presents the show A Blue Dark, which opens on June 1 and runs through September 7. In this exhibition, visual artist Fritz Horstman collaborates with poet, translator, and zheng harpist Fiona Sze-Lorrain to explore a cross-genre range of textual/non-textual responses to the presence of a luminous dark. Both meditate on its changing physicality, materiality, space, emotions, images, meanings, and music by dialoguing with each other's work—ink drawings, poetry, and translation—inspired by the complexity of black, gray, and white, as well as their fluid mysteries of being.

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